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Williams Deacon's - translation to Αγγλικά
![A six-row iconostasis at [[Uglich]] Cathedral in Russia. North Deacon's Door (left) and [[Holy Doors]] (right).](https://commons.wikimedia.org/wiki/Special:FilePath/Cathedral Uglich inside 01.jpg?width=200 "A six-row iconostasis at [[Uglich]] Cathedral in Russia. North Deacon's Door (left) and [[Holy Doors]] (right).")
![Fedorov's [[Deesis]], recently added to the [[retroquire]] screen at [[Winchester Cathedral]], England. The differently situated [[rood screen]]s of Western medieval churches often achieved an effect comparable to the iconostasis.](https://commons.wikimedia.org/wiki/Special:FilePath/FederovIcons.jpg?width=200 "Fedorov's [[Deesis]], recently added to the [[retroquire]] screen at [[Winchester Cathedral]], England. The differently situated [[rood screen]]s of Western medieval churches often achieved an effect comparable to the iconostasis.")
![Chapel of the holy icon of [[Theotokos of Smolensk]] in the [[Assumption Cathedral in Smolensk]].](https://commons.wikimedia.org/wiki/Special:FilePath/Gorskii 03982u.jpg?width=200 "Chapel of the holy icon of [[Theotokos of Smolensk]] in the [[Assumption Cathedral in Smolensk]].")
![Holy Trinity Cathedral]] in [[Chicago]], Illinois](https://commons.wikimedia.org/wiki/Special:FilePath/Holy Trinity Russian Orthodox Church 071215.jpg?width=200 "Holy Trinity Cathedral]] in [[Chicago]], Illinois")
![A [[Moscow Baroque]] icon screen in the [[Trinity Lavra]] in Sergeyev Posad](https://commons.wikimedia.org/wiki/Special:FilePath/Interior of church of Saint Sergius (Sergiev Posad).jpg?width=200 "A [[Moscow Baroque]] icon screen in the [[Trinity Lavra]] in Sergeyev Posad")
![Apostles]] to either side of the [[Holy Trinity]].](https://commons.wikimedia.org/wiki/Special:FilePath/Ipatios monastery Kostroma 13.jpg?width=200 "Apostles]] to either side of the [[Holy Trinity]].")
[,wɪljəmz'di:ktnz]
общая лексика
"Уильямз Диконз" (крупный коммерческий банк в Манчестере, входил в "Малую шестёрку" [Little Six]. В 1970 слился с "Глин, Миллз" [Glyn, Mills], образовав "Уильямз энд Глинз банк" [Williams and Glyns Bank])
полное выражение
Williams Deacon's Bank Ltd
['wɪljəmz]
общая лексика
"Летний Вильямс", "Вильямс" (десертный сорт груш; плоды жёлтые, крупные, превосходного вкуса)
полное выражение
Williams' Bon Chretien; по имени плодовода, распространившего этот французский сорт в Англии
[ai'kɔnəstæs]
синоним
Ορισμός
Βικιπαίδεια
In Eastern Christianity, an iconostasis (Greek: εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century.
A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively present in Eastern Orthodox churches where the iconostasis divides the altar, the Holy of Holies where the Eucharist is performed – the manifestation of the New Covenant – from the larger portion of the church accessible to the faithful. In the Eastern Orthodox tradition, only men can enter the altar portion behind the iconostasis. However, one will see women serving behind the iconostasis at female monasteries.
The word "iconostasis" comes from the Greek εἰκονοστάσι(-ον) (eikonostási(-on), still in common use in Greece and Cyprus), which means "icon stand".
